But over the rainbow, dimly guessed at, is the wide earth, fascinating and terrifying. For kids of a certain age, home is everything, the center of the world. I lean toward the third possibility, that the elements in “The Wizard of Oz” powerfully fill a void that exists inside many children. Is that because we see it first when we’re young? Or simply because it is a wonderful movie? Or because it sounds some buried universal note, some archetype or deeply felt myth? It somehow seems real and important in a way most movies don't. We study all of these details, I think, because “The Wizard of Oz” fills such a large space in our imagination. Even Toto was out of commission for two weeks after being stepped on by a crewmember. Margaret Hamilton (the Wicked Witch of the West) was seriously burned when she went up in a puff of smoke. Musical numbers were recorded and never used. There were cast changes, too after Buddy Ebsen, as the Tin Man, had an allergic reaction to the silvery makeup, he was replaced by Jack Haley. When Fleming went to “Gone With the Wind,” King Vidor did some of the Munchkin sequences, and the Kansas scenes. George Cukor filled in for three days, long enough to tell Judy Garland to lose the wig and the makeup, and then Victor Fleming took over. Richard Thorpe, the original director, was fired after 12 days. If “Wizard” began in one way and continued in another, that was also the history of the production. Shooting in color might have been indicated because the film was MGM's response to the huge success of Disney's pioneering color animated feature, ""Snow White and the Seven Dwarfs"" (1937). Almost all films were still being made in black and white, and the cumbersome new color cameras came with a “Technicolor consultant” from the factory, who stood next to the cinematographer and officiously suggested higher light levels.
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The switch from black and white to color would have had a special resonance in 1939, when the movie was made. What did I think? It made good sense to me. It was not until I saw ""The Wizard of Oz"" for the first time that I consciously noticed B&W versus color, as Dorothy was blown out of Kansas and into Oz.
The movies themselves were such an overwhelming mystery that if they wanted to be in black and white, that was their business. Ranking,title,critic_score,number_of_critic_ratings,audience_score,number_of_audience_ratings,review_url,review_text,poster_urlġ,The Wizard of Oz (1939),99,110,89,874425,"As a child I simply did not notice whether a movie was in color or not.
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